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Laura Marling: Live In Concert

Saturday, 29 October 2011 11:17

In spite of Laura Marling's admission that she doesn't play encores, the audience couldn't be faulted for standing and hollering at the end of the singer's set at the 6th & I Historic Synagogue on Sept. 27. At just 21, the British folk-rock musician put on a captivating show that wound smoothly through songs from all three of her full-length albums and even included one new, unreleased song.

Marling, who frequently performs with nothing more than her voice and guitar, brought along a full band this time, complete with banjo, electric guitar, drums, horn, cello and upright bass. The singer took turns performing solo and alongside the band, holding her audience rapt with either arrangement, as Marling's smoky voice reverberated across the pews and soared upward toward the dome of the sanctuary. In quieter solo moments, the only audible sounds were that voice, Marling's deftly plucked acoustic guitar and the creaking of old wooden floorboards.

Of course, those quiet moments were offset by walloping numbers in which Marling stood howling before her full band. The cacophony from so many instruments could have become muddled in such an intimate space, but instead it lent the songs thunderous power that seemed to shake the dust from the old synagogue's ceiling.

The set wasn't all dark and stormy, though. Although Marling claimed to be bad at stage banter, she quickly proved otherwise, putting the audience at ease with her candor and easy charm. She demonstrated sharp comedic timing and a dry sense of humor when explaining how she copes with her lack of stage presence by simply addressing the audience with a series of basic facts. ("The first fact is, this is the guitar we recorded the album on. The second fact is, this is a song from the album.") Her struggle to keep herself from swearing produced even more laughter.

It was a show that worked on all emotional levels, full of rage and gorgeous, tear-jerking music, but also a refreshing sense of lightness. Although Marling didn't return to the stage for an encore as she'd warned, she expertly left the crowd begging for more.

Laura Marling: I Speak Because I Can

Sunday, 20 November 2011 14:33
Laura Marling is an up and coming folk artist from England. Much like myself, she was born to a musical father and learned to play guitar at a young age. Marling has been performing since the ripe age of 16 and released her sophomore album, I Speak Because I Can, in March of 2010 at age 20.
One day, I was in my living room watching TV. We don’t have cable or anything, we have an antenna so we only get the local channels. Channel 3-2 is a music channel that I happen to watch a lot. All of a sudden, the sound of an acoustic guitar caught my attention. So, I watched.
The song playing was called Devil’s Spoke, and it was the first song I’d ever heard by Laura Marling. It was folky, but still intense. I noticed that Marling had the most interesting voice. It was a heavenly mixture of Alanis Morisette and Florence Welch. I couldn’t help but listen, not that I didn’t want to.
I got curious. So I whipped out my laptop, brought up Google, and downloaded all of her albums. I first listened to I Speak Because I Can since that was the album Devil’s Spokewas on. And let me tell you, it was the best decision I’ve made in weeks.
Where Devil’s Spoke was fiery and intense, Made by Maid was calming, much like a lullaby. This goes for a lot of the songs on this album. They’ll be soft and calming and then they’ll build up to a somewhat intense ending.
Alpha Shadows is quickly becoming one of my favorite songs. The strumming and plucking patterns of the guitar gave it a Latin/Italian flair. It also builds and falls repeatedly, so you’re never sure when it will end. The lyrics are intense. “…the gray in this city is too much to bear and I believe we are meant to be seen and not to be understood.”
Another favorite of mine is the title track, I Speak Because I Can. This song takes the best elements of this album and blends them into one perfect ending. It truly embodies everything this album is. It’s mature, intense, and calm all at the same time.
This album is full of passion and lyrics so mature and obscure that they need to be decoded. It’s full of emotional, winter-like lullabies. 5 out of 5 stars.
Laura Marling performed “I Was Just A Card” and “Ghosts” at the Troubadour in Los Angeles on Last Call with Carson Daly.
I WAS JUST A CARD
GHOSTS

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